Wolverine, Schmolverine

Loath as I am to lavish any kind of attention on the atrocious X-Men Origins: Wolverine, I somehow feel obliged to comment on this most recent entry in the ongoing line of superhero blockbuster embarrassments. One would think somehow that no matter how bad Wolverine was, it couldn’t possibly be any worse than Brett Ratner’s abortion of a movie X-Men: The Last Stand. But although a comprehensive point-by-point comparison would require more attention spent on both films than I can reasonably summon, sufficed to say that Wolverine certainly isn’t better in any noticeable way.

Shallowly hyperbolic in every department, the film has been described as something written and produced by a group of eighth-graders, though one might actually suspect that today’s eighth-graders would on average probably be capable of an end product a good deal more sophisticated than the collection of visual clichés and narrative non-sequiturs on display here (not to mention the fact that off-the-shelf software packages are able to conjure up better-looking visual effects than pretty much anything in Wolverine…).

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